Get a perfect fit using a shop-made jig.
Oval and circular inlays are a time-honored method of adding class to a project, such as the top of a jewelry box. It’s an interesting challenge to make your own inlay, but far easier to select one from a wide range of ready-made designs (see Sources, at bottom).
But how are you going to create a perfectly-sized recess for the inlay? There’s really no room for error on a prominent detail like this–and you wouldn’t want to ruin an inlay using an imprecise technique. Here’s a method for routing the recess that ensures a good fit.
Prepare the inlay
All inlays come with a layer of tape on one side, which helps keep together the various parts of the design. The tape is always placed on the good, or top side, of the inlay. Draw centerlines for the oval or circle on the tape using a combination square.
Some oval and circular inlays are made with a rectangular or square border, which protects the edges of the design. If your inlay has a border, the first step is to remove it (Photo 1). All the parts of the inlay are glued together, including the border, so the border must be cut off with a very sharp knife. A breakaway utility knife works well–start with a fresh edge. Guide the cuts with a metal straightedge, such as the blade from a combination square. Avoid cutting into the oval border. Make a series of straight cuts–it’s OK if small pieces of the border veneer remain.
Make a small station for sanding the inlay’s edges (Photo 2). First, tape a piece of 150-grit sandpaper to a thick block. Clamp the block to a piece of plywood (melamine works well, because it’s slippery). Sand the inlay by rotating it with your hands–the goal is to make a perfect oval.
Make the template
MDF is ideal for making a template because it’s uniform and easy to sand. It can be any thickness (here, I’m using 1/2″ material). Cut the MDF the same size as the piece of wood that you’ll be routing for the inlay.
Draw centerlines on the template. The oval won’t be perfectly symmetrical, so mark one portion of the inlay with an “X”, and make the same mark on the template. Align the centerlines of the oval and template and trace around the inlay with a sharp, soft-leaded pencil (Photo 3). Widen the line with a dull pencil.
Remove most of the waste by drilling (Photo 4). Keep the bit at least 1/32″ away from the pencil line. Use a Forstner bit so you can overlap the holes.
Now for the picky part. Sand right up to the line–but don’t remove any of the line (Photo 5). Take it easy and frequently check your progress (Photo 6). If you sand too much, it’s probably best to start over with a new template.
Rout the recess
You’ll be routing the recess for the inlay with a top-bearing flush-trim bit. Your template will probably have to be shimmed to raise it high enough above the workpiece so the bit can create a shallow recess. I chose a bit with 9/16″ long flutes and made a shim from 1/4″ hardboard (Photo 7), but many combinations of bits and shims will work. Make the shim piece the same size as the template, to help with alignment when clamping the template to the workpiece.
If your router has a small-diameter base, you may have to replace the sub-base with a larger, shop-made sub-base to prevent the router from tipping into the template, and to enable it to reach the middle of the recess.
Install the bit in your router. I turn the router upside down to help setting the bit’s height (Photo 8). Place a cutoff from the template and the shim next to the bit to represent their combined thickness. Add two playing cards on top–they’re combined thickness is just a hair thinner than the inlay.
Use a piece of scrap wood to test the router bit’s depth of cut. Clamp the template at all four corners to ensure that the recess is an even depth. Rout a test recess. The inlay (not including the tape) should stand proud of the recess by about the thickness of a sheet of paper. Adjust the bit if necessary, then mark the actual workpiece with an “X” (corresponding with the “X” on the template), and rout the real recess (Photo 9).
Glue the inlay
Align the two “X” marks and test the inlay’s fit into the recess (Photo 10). If the inlay is too tight, remove a bit from its edges using the sanding station. Again, take it easy–the goal is for the inlay to drop into the recess using very little pressure.
Make a clamping block that’s about 1/32″ smaller all around than the inlay. Apply a thin coat of yellow glue in the recess–but not on the inlay–and position the inlay in the recess, tape side up. Make sure that the inlay is properly seated all around, then place the block on the inlay and clamp (Photo 11). Remove any squeeze-out and let the glue dry overnight.
Remove the tape by slightly moistening it with water (Photo 12). Sand the inlay flush with fine paper (Photo 13).
Constantine’s Wood Center Oval Sunburst Design inlay
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