<img class="lazy" height="1" width="1" style="display:none" src="data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E" data-src="https://www.facebook.com/tr?id=376816859356052&amp;ev=PageView&amp;noscript=1">
 In Arts & Mysteries

We may receive a commission when you use our affiliate links. However, this does not impact our recommendations.

Joint stool. The name of this furniture form gives us clues that it was built by a joiner, not a turner – despite the turned legs. This is one of my reproductions of a 17th-century joint stool, in walnut.

Period woodworking trades in London were strictly regulated.

I’ve temporarily put down my 516” joiner’s mortising chisel in favor of a 2″ chisel for chopping carpenter’s mortises. I’m timber framing a workshop, and while whomping away on 2″-wide mortises, I have time to think.

My principal work has always been as a “joiner” in the period sense, what we might now call a “furniture maker.” But the trades of joiner and carpenter are pretty similar, so it’s not too far-fetched for me to swap out for larger tools, larger joints and a larger project all around. A drawbored mortise and tenon is the same, regardless of scale.

I live in a time and place in which I can tackle whatever form of woodworking I desire, and nobody’s nose gets out of joint.


By registering, I acknowledge and agree to Active Interest Media's (AIM) Terms of Service and to AIM's use of my contact information to communicate with me about AIM, its brands or its third-party partners' products, services, events and research opportunities. AIM's use of the information I provide will be consistent with the AIM Privacy Policy.

Start typing and press Enter to search