Back painted glass first came to my attention in 2007, when architect Christine Matheu used it as the backsplash material for her kitchen. It was clean, luminous, and contemporary, and I was in love.
My local glass store sells back painted glass in several luscious colors. So when my clients for another commission, this time a wall of built-ins for a dining room in Chicago, said they’d love to incorporate a section of backpainted glass roughly 3-feet square, I requested a quote. The material alone was going to cost several hundred dollars. The budget for the job wouldn’t allow for that.
So I decided to experiment with backpainting glass myself and came up with a solution that worked, aesthetically and in economic terms.
I’ve used it on other jobs since then. Here’s my technique.
- Glass (I use 1/4″ for most applications)
- Paint brush
- Clips to attach the glass
Step 1: Clean the glass
I wipe the glass thoroughly with denatured alcohol to remove dust and any residue from masking tape, etc. The alcohol dries almost immediately, so there’s no delay.
Step 2: Make samples
Basic clear glass has a blue-green cast that will distort the color of the paint you apply to the back. It’s crucial to make samples with two coats on the back (two coats will ensure adequate coverage), allow the paint to dry, and gauge the color by placing the glass with the painted side against a background the same color and texture as its future home. If necessary, adjust the paint color until you get the look you desire.
Step 3: Apply the paint
I use a paint brush. You could spray the paint if you’re set up to spray.
At first, I was concerned that the brush strokes would show, but the key to back painted glass in this application is that it’s set against a solid wall or another surface. This makes the brush strokes disappear when the color is viewed through the unpainted side of the glass.
If you scratch the paint on the back, the scratches will show through the glass.
Adhesives may also bleed through and be visible. I learned this the hard way. Instead of adhering the glass with adhesives (for example, Power Grab), I use mirror clips or pin-style shelf supports, mounted sideways with the flat section against the glass, to hold it in place.
– Nancy Hiller
English Arts & Crafts Furniture explores the Arts & Crafts movement with a unique focus on English designers. Through examination of details, techniques, and historical context, as well as projects, you’ll discover what sets these designers and their work apart from those that came before and after, as well as gain a deeper understanding of the Arts & Crafts movement and its influence.
Three complete furniture builds provide a glimpse into the breadth of ideals encompassed by Arts & Crafts:
- Voysey’s two heart chair, with its woven seat and sharp finials, combines simplicity of form with an elegant uprightness
- A striking sideboard design from Harris Lebus, one of England’s largest furniture manufacturers at the turn of the century, was not just imposing, but affordable for a middle-class market
- Gimson’s hayrake table marries rural allusions, challenging joinery, and exuberant hand-carving in a project that is a joy to build
More an expression of social and economic ideals than any specific design aesthetic, the Arts & Crafts movement encompassed a staggering variety of work. This book for woodworkers and furniture aficionado provides fresh perspective into an exciting moment in design history.
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