Adam Cherubini, the well-loved (and long-time) Arts & Mysteries columnist for Popular Woodworking Magazine, shares his thoughts on 18th-century woodworking techniques, tools and projects on this blog. He’s often controversial – but never boring. Adam’s approach to the craft is entirely hand-tool oriented – and he also reproduces period hand tools for use in his shop. You’ll read about his research into period shops and practices, and find out more about his tools and thoughts on “modern” woodworking and more, here.
The choice of building boarded or joined furniture wasn’t typically left to individual English craftsmen. The Trade Guilds to which English woodworkers belonged mandated what they were [...]
After you register for Woodworking in America, you will be asked for your preferences for classes. No one will be turned away from any classes. We’re just trying to establish...
With the exciting new publication of Nicholson’s 1850 text, I fully expect we will be hearing a great deal more about Nicholson, and very likely a great deal less about...
Chris reported 2 days ago that a reprint of Peter Nicholson’s book (known by many titles including) "The Mechanic’s Companion" has gone on sale here. This hit me like a ton...
Beware “through dovetail centrism”! I’ve tried to steer away from 2 contentious subjects, sharpening and dovetails, because I have felt too much has been said about both. [...]
There have been a couple interesting threads on the Society of American Period Furniture Makers (SAPFM) forum I’d like to make you aware of in case you missed them: On...
I have a reader in Cleveland who snapped the quirk off a 1/4″ side bead iron. He was looking for a sharpening service I could recommend. I certainly don’t know...
I have a question for you all. A few years back I built a Roubo-esque frame saw in an attempt to conquer hand tool resawing. Frankly, I’ve not had great...
The news of a blog from Colonial Williamsburg’s Hay Cabinetshop has already been received with a smirk about “irony”. I knew it was only a matter of time. When will...
“In painting” is a term museum conservators use for touching up “losses”, areas now missing, from antique paintings or other objects. As far as I know, it isn’t [...]