Author Archives: Christopher Schwarz

Christopher Schwarz

About Christopher Schwarz

Chris is a contributing editor to Popular Woodworking Magazine and the publisher at Lost Art Press. He's a hand-tool enthusiast (though he uses power tools, too).

A Different Way to Use a Doe’s Foot

During the last few years, the doe’s foot has become one of my most important workbench appliances. Paired with a holdfast, the doe’s foot can eliminate the need for a tail vise on a workbench. I have about four of these doe’s feet at my bench, and I’ve found some surprising ways to use...

Born to Fail at Woodworking

No matter how long I work in this craft, there are days when I feel incapable of doing anything correctly. Such as today. Readers love to be reminded that even people who do this every day suffer regular failures. If you like to wallow in other people’s misery, this post is for you. (Also,...

Half-moon Winding Sticks – to Make or Buy

Two years ago I wrote about some unusual homemade winding sticks I encountered in North Carolina (read the article here). Instead of using inlay to help broadcast a board’s twisted state to your eyes, these used a pair of half-moon cutouts. They worked brilliantly, perhaps better than any other set I’ve used before. This...

In Praise of the Cork Sanding Block

When I wrote about the 50 or so essential hand tools you need to make furniture in “The Anarchist’s Tool Chest,” I neglected to include my cork sanding block in that list. I think the reason I forgot was that the block is as essential as my marking knife. I know the tendency today...

Against Perfection, Precision or Accuracy

It’s difficult to argue against perfection in woodworking. That’s because the counter argument is something like: “You’re a hack and can’t get it right, and so you say that your imperfections are intentional.” Or put another way, you can’t be too rich, too thin or have joinery that is too perfect. Here’s how I...

The Case Against Tail Vises

If workbenches were like automobiles, then I’d consider the tail vise to be like the heated seats in a car. They’re an option, of course, but they are by no means standard equipment, like tires. Out of economic necessity, my first three workbenches didn’t have tail vises, and so I was thrilled when I...

The Galbert Caliper and my Pigheadedness

I don’t care for gizmos, jigs and silly accessories. So even though I spend a fair amount of time on the lathe, I resisted purchasing the Galbert Caliper for many years. In its place, I used go/no-go gauges, box wrenches and traditional turning calipers (which are the worst). But while at Handworks this year,...

Be Seated: The Benchcrafted Swing-away Seat

Sitting at your workbench does not make you lazy. Many times it makes you smart. Chopping out the waste between dovetails requires endurance and patience – especially when building a large piece of casework with drawers. If you sit while chopping, you conserve energy and your eyes are closer to your chisel, improving accuracy....

Taking Credit, Giving Credit and Stealing it

On the way back from Handworks, editor Megan Fitzpatrick asked me a question I get a lot: “Does it irk you when people build your furniture designs and fail to credit you when they post them on social media?” Answer: Not at all. For me, the reward isn’t that someone praises my design. The...