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Between bites of salad, Kevin Drake pauses to take a close look at the common chair sitting in our local Panera.
 
When I look at the chair, all I see is your typical bent-lamination, factory-made, comfortable-for-about-32-minutes padded chair.
 
But Kevin, the founder of Glen-Drake Toolworks, sees a lesson in Japanese aesthetics and composition by Japanese arts teacher Shozo Sato. What is the dominant focus for the viewer? What is the sub-dominant; the subordinate?



I was chewing my food at the beginning of the explanation, but by the end I was listening so intently that I forgot about the baguette soaking in my own mouth juices as I finally “saw” the chair.

Nothing makes me happier than to have lunch with someone whose brain is on fire with ideas different than mine. Someone who sees the same world with different eyes.

Which brings us to handsaws.

It’s a common thing to read in woodworking texts that the ripping teeth in a Western saw (power- or hand-driven) are shaped like chisels.


 

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