November 2010 #186RSS

Popular Woodworking November 2010 issueThe Popular Woodworking November 2010 issue’s cover project is a hanging corner cupboard by Mark Arnold. It’s much easier to build than it looks.

Ron Herman reveals why the forgotten miter box works just as well today as it did when the tool was used to build this country.

Marc Adams continues his series on veneer in his second installment. You’ll learn how to cut, glue and sand veneer.

Discover a traditional trick used by carpenters to help fit doors with ticking sticks.

In the first of a series of articles, Michael Dunbar assists with aging your projects gracefully using tricks to add artful wear and tear to a piece of furniture.

Charles Bender teaches you how to build a rare William & Mary bookstand.

The I Can Do That project is a set of contemporary shelves.

George R. Walker explores the use of ornamentation in furniture design, and shows how it can add spice to your work.

Detailed article previews are below. Online Extras (downloads, etc.) can be found inside each article.

[description]Articles from the November 2010 issue of Popular Woodworking Magazine[/description][keywords]Popular Woodworking Magazine, Magazine Articles, Technique Articles, Project Articles, Tool Reviews, Finishing[/keywords]
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Hanging Corner Cupboard

Scrollwork and a tombstone panel door add a stylish challenge.
By Mark Arnold
Pages: 30-35

From the November 2010 issue # 186
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A 7′-tall corner cabinet is impressive, but can be a daunting project for someone with little shop time. Traditional corner cupboards require a commitment – not just of time and resources, but of space in one’s home.

Because the eye is drawn to the intersection of two planes (walls), however, the corner of a room is the perfect location to show off a prize piece of furniture. A small hanging cupboard is a logical compromise and has several advantages: It can be just as dramatic as its larger cousin and its dimensions are easily changed to fit in just about any corner.

While the project shown here is my own design, variations of this form were built during the 18th century, some having
one, two or three pendant shelves, a door with multiple panels and sometimes even a drawer below the door.

This is a good beginner project because it presents angles other than 90° and can be built in a relatively short period of time, and usually of scrap material at hand. It also provides experience in tombstone panel door construction, multiple-piece crown moulding fabrication, vector clamping and the cutting and fairing of scrolled edges. The scrollwork on the apron, back and shelves is easily altered for changes in dimensions and aesthetics.

Although this cabinet is an amalgam of details seen on other similar pieces, I borrowed some of the scroll elements
from the aprons of tables and case pieces. These elements consist of three basic parts – arcs, fillets and ogees (or cyma curves). Arcs give a feeling of lightness to a piece because they require the removal of material. They can also repeat curve shapes, such as a tombstone panel, used elsewhere on a piece. Ogees serve to keep the eye in motion as it traces the serpentine outline. Arranged back-to-back, ogees lend a sense of symmetry where there would otherwise
be none. Fillets provide beginning and ending points for the other two elements and are useful when a change in direction is needed. When used in concert, these elements can add visual excitement to an otherwise mundane piece. By scaling or stretching the various elements, virtually any two points can be bridged with decorative scrollwork.

Web site: Visit Mark’s web site to see more of his work.
Article: Build Glen D. Huey’s “American Corner Cabinet.”
Web site: Discover the Society of American Period Furniture Makers (SAPFM).
To read: “Making Furniture Masterpieces” by Franklin H. Gottshall
In our store: “Building 18th-Century American Furniture” by Glen D. Huey Read more »

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I Can Do That: Contemporary Shelves

Construction lumber dressed up for display.
By Robert W. Lang
Pages: 28-29

From the November 2010 issue # 186
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For sturdy, attractive and affordable material to build these shelves, bypass the fancy stuff at the front of your local home center and head for the back where they keep the lumber intended for use as rafters and floor joists.

In my neighborhood the available wood is Southern yellow pine. In other parts of the country you might fi nd Douglas fir, spruce or another species. When logs are milled for construction lumber, this is where the good stuff goes.

Three 12′-long 2x12s will provide enough material to build the shelves as shown. You may have to cut them (or have them cut) to get them home, but longer lengths will be straighter and of better quality than short stuff. Pick through the stack and select the straightest, nicest looking pieces.

Look at the ends of the boards, and avoid any with a tight circle in the rings in the middle of the board, which tells you that the board came from the middle, or heart, of the tree. As the wood dries and shrinks, this is the most likely part to cup and split. These boards will likely be relatively damp, and you should expect some movement as they dry.

You can hasten the drying process by cutting the boards to rough lengths. Let them sit for a while to acclimate to your environment. The parts don’t need to be perfect for this project to be a success, but the straighter they are, the easier it will be to put your shelves together.

Plan: Download the free SketchUp plan for the Contemporary Shelves.
Articles: All the “I Can Do That” articles are free online.
In our store: Read about flush-cut saws in the Autumn 2007 issue of Woodworking Magazine. Read more »

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Arts & Mysteries: Bookstand: A William & Mary Rarity


A maximum skills test using minimal materials.
By Charles Bender
Page: 24-26

From the November 2010 issue # 186
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Important books have long been a symbol of education and wealth in Western culture since before Gutenberg rolled out his first Bible. Up until the mid-17th century, the fact that someone could read was usually a significant status symbol – and even today, important books often denote elite status. Naturally, if you owned an important book, you wanted a way to display it so everyone could see it. Enter the ever-enterprising cabinetmaker.

After you’ve studied furniture as long as I have, you begin to look for pieces to build that are unique and rare. This bookstand is definitely one rarity worth a second look by any scholar and/or woodworker.

Bookstands are scarce in any period, but William & Mary bookstands are particularly rare. It’s very possible this is because fine book ownership was rare during the period.

The thing that struck me most when I first saw this bookstand was the maker’s sense of style. Whoever made it not only was aware of the latest construction techniques (note that the body of the piece is essentially a dovetailed box instead of a mortise-and-tenon frame), but also had an understanding of William & Mary design. The ball feet and cyma curves of the apron put this piece squarely in the realm of a professional cabinetmaker working in the most fashionable taste.

Video: Think you have dovetails figured out? Watch Frank Klausz work his magic.
Article: Continue with Frank Klausz to learn to master the mortise and tenon.
Web site: Take a detailed and in-depth look at Thomas Jefferson’s bookstand.
To buy: Learn more about William & Mary furniture in our April 2010 issue (#182).
In our store: Pick up a DVD on turning basics to get started in the right direction. Read more »

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Design Matters: Add Spice to Your Work

A dash of ornament highlights a form.
By George R. Walker
Pages: 22-23

From the November 2010 issue # 186
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Thanksgiving at our house means shoehorning 14 guests into a dining room meant for eight, football on the television and the aroma of Barb’s sage dressing filling the house. Every year she makes a bigger batch (last year it was 56 cups) and every year it seems there is only a smidgen left over. She knows just the amount of seasonings to bring out that signature flavor that makes the whole meal sparkle.

I like to think of ornament in furniture design similar to the spices we add to food. It serves to bring out the underlying flavors or in the case of furniture, enhance the underlying bones of a form.

Blog: For more Design Matters, read George R. Walker’s blog.
Blog: Read about Editor Christopher Schwarz’s visit to George R. Walker’s shop.
In our store: George R. Walker’s DVDs. Read more »

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Tool Test: Beadboards by Router

By Glen D. Huey Page: 19 From the November 2010 issue # 186 Buy this issue now Router bit profiles are used in many different applications. While the profiles might be identical, where the design is used changes depending on your work at hand. Case in point is the new set of router bits from … Read more »

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Tool Test: Glen-Drake Dovetail Saw

By Robert W. Lang Page: 18 From the November 2010 issue # 186 Buy this issue now Most boutique toolmakers offer nicely made renditions of traditional forms. Kevin Drake builds tools of excellent quality, but he takes tool design one step further, going back to basic principles to make tools that fit the hand and … Read more »

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Tool Test: Delta’s New 18″ Drill Press

The best drill press worktable, period. By Glen D. Huey Page: 16 From the November 2010 issue # 186 Buy this issue now In many woodworking shops, the drill press might be the most under-utilized piece of machinery in the shop. Many common drill presses need to be tweaked to handle many woodworking tasks, but … Read more »