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Wednesday, January 16, 2008
Designer Craftsmen Show

This is the busy season for period woodworking reproduction furniture makers (I think I may be the only one). We've been remiss in defining these terms. This has had serious repercussions as period woodworkers and reproduction furniture makers often don't themselves distinguish the important differences separating them. Wherever the two have met, I've seen friction and discord. Now, mere days away from one of the biggest and most prestigious shows featuring reproduction furniture makers, is a good time to offer a definition of these terms so we can better understand each other's work.

Period woodworkers focus chiefly on the process of using pre-industrial tools. Though Garret Hack makes contemporary furniture, his use of period tools and processes may qualify him as a period woodworker, only different from Roy Underhill by degrees. Some period woodworkers simply enjoy working with old tools. Others, me for example, feel strongly that the tools influence the work to such a degree that their use is essential to creating accurate reproductions of period work.

Reproduction furniture makers are by far the larger group. The reproduction furniture maker's chief interest is in producing an item that looks like an original. They typically care not at all whether the saw is man powered, electrically powered, or electronically powered. For the reproduction furniture maker, tools are merely means to an end, not the end itself. These folks are product, not process focused.

In reality, like the political poles of libertarian, and egalitarian (conservative and liberal are inaccurate terms for the groups they represent), all of us fall somewhere in between. I may well be one of the few exceptions, very likely the only such exhibitor at the Designer Craftsmen show. I am both a period woodworker and a reproduction furniture maker sharing a great desire to manage the authenticity of both product and process. Understanding that is key to understanding why I do what I do.

The Designer Craftsmen show at the Valley Forge Convention Center this coming weekend (Jan 18-20), offers the opportunity to drink in the different approaches and examine their inevitable results. If you are not sure which you are, go and see whose furniture you prefer. It also may be a fun activity to see if you can tell the difference. Here's a hint: you won't be able to tell from the prices. I've been going to the D-C show for many years and I highly recommend you go if you can. In my opinion, its as valuable as a trip to a museum.

Adam



1/16/2008 12:02:51 PM (Eastern Standard Time, UTC-05:00)  #  Comments [5] 
1/16/2008 10:01:43 PM (Eastern Standard Time, UTC-05:00)
Adam-
You must have attended the first session; I am sorry I missed you. I look forward to your observations; I know I thoroughly enjoyed it.
1/17/2008 3:05:05 AM (Eastern Standard Time, UTC-05:00)
I fall into the "in between" group.
I have tried to design my own hexagonal chest of drawers (inspired by an old American model I have once seen in Portland Maine). I tried to use the golden section and 7/16 rules as explained in the PW. I try to stick to the wise words concerning that the shape and mass of the body is more important than joinery details.
I use some old pitch pine boards that formed the old floor in our dining room. The tools are partly electrical and partly hand tools.
I will definitely say that the process is the goal, not the end result.
Greetings from a fan i Denmark
1/17/2008 5:25:57 AM (Eastern Standard Time, UTC-05:00)
Very interesting definitions, and I agree completely. Necessity has pretty well forced me into the role of a period woodworker more or less, but my interest is in more contemporary designs. I have nothing but the utmost respect for your work and how you do stuff. Having done reenactments for many, many years of my life, the way you work is VERY appealing to me!

1/17/2008 6:54:19 AM (Eastern Standard Time, UTC-05:00)
Thanks for posting the definitions. I definitely fall into the period woodworkers category. When you are at the show this weekend, you will find a kindred spirit in Bess Naylor, owner of Olde Mill Cabinet Shoppe, who is also displaying her work. I'm sure you two will have a lot to talk about! : )
1/22/2008 9:04:31 AM (Eastern Standard Time, UTC-05:00)
This is my first trip to this blog.
Let me first say I went to the Designer Craftsman show and had the pleasure of meeting Adam. After following the construction of the desk in the magazine it was nice to meet Adam in person for a one on one Q+A and see the piece up close and personal.
Adam, never mind about the dove tail saw I’m going to build the Gramercy kit so I can fit the handle exactly as I want it.

Adam is very free with his knowledge, advice and humor which is a little refreshing. Maybe it’s where I live (DC area) but I meet more than a few hobby woodworkers that are less than free with their insights.
I went for just the reason Adam suggested. To compare pieces and pick brains. I found pieces from about 95% machine made to 100% hand made. The prices didn’t really reflect the difference. Most of the like pieces were within the same price break. I saw a broad range of craftsman ship as well with pieces ranging from exact replicas to period inspired.

On to the question at hand I am one of the half and half people. I buy my stock in the rough and mill it myself. I use machines to mill it out and get out the pieces for a project. That’s when the hand tools come out. I will do lot of the joinery with hand tools.
I
I used to build wood boats and teach boat building and that is just how you do it. You mill out the stock by machine and fit the parts to the boat by hand. Or as we say you build the boat to the boat.
I also don’t start a piece until I know how it’s going to be finished. That determines the choice in woods, grain, and layout. As an acquaintance of mine Charles Neil says “You can’t build if you can’t finish”.
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